In dialogue with the great exposition on De Chirico at the Palazzo dei Diamanti, Silvia Camporesi, one of the most important Italian photographers, imagined the famous piazze d’Italia of the metaphysical painter after exactly a hundred years. These piazze appear isolated and abandoned, yet intact and not contaminated by modern disturbance, as the burgs of fascist foundations or as the incredible village of Tresigallo (Ferrara), that has a lot in common with the atmospheres created by the painter.